List of Figures
Figure 1: Audience considered in definition of accessibility
Figure 2: Motivation considered in definition of accessibility
Figure 3: Familiarity with accessibility guidelines in all museums surveyed
Figure 4: Familiarity with accessibility guidelines in United States museums
Figure 5: Familiarity with accessibility guidelines in United Kingdom museums
Figure 6: Technologies used by museums to deliver online multimedia content
Figure 7: Technologies used by museums to deliver online multimedia content by funding source
Figure 8: Availability of accessibility statements on museum web sites.
Figure 9: Frequency of usability testing conducted by museums and developers
Figure 10: Frequency of accessibility testing conducted by museums and the influence of location, size and funding source
Figure 11: Responsibility for ensuring accessibility testing of multimedia is done
Figure 12: Internal delegate responsible for accessibility in museums
Figure 13: Key factors preventing museums from delivering accessible multimedia
Figure 14: Key factors preventing developers from delivering accessible multimedia
Figure 15: Introductory screen for “Churchill and the Great Republic” interactive exhibition
Figure 16: Curatorial introduction screen for “Churchill and the Great Republic” interactive exhibition
Figure 17: Interactive timeline for “Churchill and the Great Republic”
Figure 18: Objects screen with sliding timeline view for “Churchill and the Great Republic”
Figure 19: Magnified view of original draft of an important World War II declaration from “Churchill and the Great Republic”
Figure 20: Close up of Winston Churchill’s letter to Clementine Hozier with transcript from “Churchill and the Great Republic”
Figure 21: Video of Churchill’s Iron Curtain Speech from “Churchill and the Great Republic”
Figure 22: Start page of “Churchill and the Great Republic” text-only site
Figure 23: Monticello Explorer start screen
Figure 24: Interactive map of plantation grounds, “Monticello Explorer”
Figure 25: Winding Flower Walk, “Monticello Explorer”
Figure 26: House Overview, “Monticello Explorer”
Figure 27: Southeast Piazza, “Monticello Explorer”
Figure 28: Comparison of Monticello I and Monticello II, “Monticello Explorer”
Figure 29: General House Tour: Dining Room, “Monticello Explorer”
Figure 30: House Tour: Dome Room, “Monticello Explorer”
Figure 31: House Tour: Dome Room, Text version of “Monticello Explorer”
Figure 32: Collection Search screen, “Monticello Explorer”
Figure 33: Zoomed view of chair (Fauteuil a la Reine) in Jefferson’s Bedchamber, “Monticello Explorer”
Figure 34: Panoramic Image of the Southeast Piazza, “Monticello Explorer”
Figure 35: Animation still from “Nude with Raised Arms” by Pablo Picasso, “i-Map: Matisse and Picasso”
Figure 36: Raised drawing from “i-Map: Matisse and Picasso”
Figure 37: Welcome screen (default design), “i-Map: The Everyday Transformed”
Figure 38: Welcome screen (large text design), “i-Map: The Everyday Transformed”
Figure 39: Welcome screen (high contrast design), “i-Map: The Everyday Transformed”
Figure 40: Raised Image and Audio page, “i-Map: The Everyday Transformed”
Figure 41: Segment from “The Handsome Pork Butcher” by Francis Picabia, “i-Map: The Everyday Transformed”
Figure 42: “Nude with Raised Arms” by Pablo Picasso, “i-Map: Matisse and Picasso”
Figure 43: Artwork screen for “The Handsome Pork Butcher” by Francis Picabia, “i-Map: The Everyday Transformed”
Figure 44: Segment from “The Handsome Pork Butcher” by Francis Picabia, “i-Map: The Everyday Transformed”
Figure 45: Segment from “The Handsome Pork Butcher” by Francis Picabia, “i-Map: The Everyday Transformed”
